We’ve seen a fair number of outstanding engine swaps in 24 Hours of LeMons racing— the Saab B Turbo-powered 300ZX comes to mind— but most such projects tend to have reliability and/or performance issues in the car-slaughtering arena that is LeMons. At the frozen Campaign To Prevent Gingervitis race a couple weeks back, the much-anticipated radial-engined MR2 ate its drivetrain after a single lap, but there was one outlandishly butchered machine that actually contended for the overall win: the Alfa Romeo quad-cam V6-powered Bertone X1/9 of Team Launcha Splatos. Read More >

As the 1966 Dodge A100 Hell Project progresses (slowly), I’m finally at the point at which T-shirts and towels draped over the trashed seats— nuked by over a decade of outdoor storage in the Colorado sun— no longer cut it. It’s time to fix ’em up! Read More >

The A100 Hell Project really isn’t very hellish, since the van is rust-free and still has most of its tough-to-find trim parts. However, the list of really irritating minor problems that must be solved to bring a project vehicle up to real-world-enjoyable status is always long. One of the most maddening was the busted window latch on one of the right-side windows. Chrysler changed the design on this latch— which probably cost about 14 cents per unit new— in the late 1960s, which means they’re very rare in junkyards, and nobody seems to be selling them on eBay. Snow and rain were getting in, the window clattered while driving, and anyone who wanted to rummage in the van for crack-exchangeable valuables could reach right in and pop the side door lock. What to do? Read More >

I’ve been driving the A100 Hell Project around with its horrible-at-best Carter BBD carburetor (which Chrysler almost certainly chose because it was 18 cents cheaper than a Holley), and every time it stumbles, refuses to idle, or performs any of the standard repertoire of BBD tricks, I swear to myself that I’m going to go to fuel injection real soon. That process began weekend before last, when I grabbed the intake and throttle body off an ’89 Dodge van. Read More >

Ralph Nader’s Unsafe at Any Speed was published in 1965. For the 1967 model year, cars and light trucks sold in the United States were required to have a dual-circuit brake system, so that a single hydraulic leak anywhere in the system would not result in total brake failure. Real drivers knew that they could come to a complete, safe stop using the emergency brake— that’s right, for emergencies— but that wasn’t enough for the feds. They rammed dual-circuit brakes down the throats of the American public, adding at least several dozen dollars to the cost of a new car. My Dodge van is a ’66 model, which means it was the last year for the single-circuit brakes that gave our forefathers their moral strength (though not as much strength as their forefathers, who relied on mechanical brake actuation instead of hydraulics), and a lifetime steeped in Naderite propaganda has convinced me that I’m better off with some margin of hydraulic safety. Upgrade time! Read More >

Those of you who follow 24 Hours of LeMons racing know the tale of the One Lap Integra, an Integra GS-R that got knocked down to LeMons price range because it had been rolled into a ball by a leadfooted previous owner. The car was hopeless, but the 170-horse B18C1 engine and transmission are in good shape… and now I’ve bought them for my beater ’92 Civic DX. Read More >

The Denver MCA boasts something that most museums don’t have: a 1968 Chevrolet Chevelle parked on its nose outside the building. I’ve been trying to shoot a worthwhile photograph of this fine sculpture by Gonzalo Lebrija, entitled Entre La Vida y La Muerte, but I just don’t have the boss camera skilz to do it justice. Fortunately, I know a guy who does. Read More >

I’ve become quite familiar with the burning-coolant/oil/misery-combo smell of a blown head gasket/cracked head, what with the scent being such a frequent olfactory treat at LeMons races, and so I knew what was happening on I-25 in downtown Denver once I got within nose distance of this scene. Read More >