I suffered a nearly fatal narcissistic injury to the journosaur gland when I arrived at the Oakland airport last Friday night, only to find out that my press-loaner 2018 Mazda CX-9 was the Grand Touring model instead of the Signature.
Why does this matter? Well, as any self-respecting Mazda fanboy knows, the Signature has a center console made from rosewood provided by Fujigen, the famous Japanese guitar maker behind Pat Metheny’s infamous Roland GR-808, the bulk of Fender Japan production across the Eighties, and several different models of Electra six-strings. I happen to be an avid collector of Japanese guitars, with over one hundred and five Electras, Westones, and Grecos in my basement. I’m also semi-obsessed with Metheny’s Roland GR-808 sound, to the point that I’ve assembled some remarkably expensive hardware in order to precisely duplicate the tone found on tracks like “Are You Going With Me?”.
In other words, if ever there was a crossover capable of capturing my heart, it would be the CX-9 Signature. Oh well. I’m sure I’ll get over it eventually. In the meantime, let’s take a look at how Mazda’s newly-refreshed version of its still-youthful three-row CUV handles a brief trip to California’s central coast.



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