According to the nice entertainers at Top Gear the “Sub-Zero Fridge Coolest Car” at the moment is an Aston DB9. That makes perfect sense because the display on my Sub-Zero at home keeps going out and I anticipate the same fate is likely to strike every display screen on the DB9 much more quickly than the nine years it took my Sub-Z to start showing the freezer temperature as “88” all the time. When the speedometer on the DB9 gets to 88, you’re going to see some serious shit, man. Like a $3000 repair bill.

I’m willing to accept TG‘s verdict on car coolness because I have no idea what makes a car truly “cool”. I do, however, have some opinions about what the most uncool car on the market might be. I’m thinking the Toyota Venza is certainly among the podium finishers there and possibly worthy of the top (bottom?) spot. Why is it uncool? Well, it’s a Toyota, and Toyotas are the vehicles of choice for uncool people around the world. Along with the Avalon, it’s one of the Toyotas most obviously aimed at old people, and old people are rarely cool unless they are murderers turned blues musicians. It’s a jacked-up fake-SUV station wagon that replaced the very cool Camry real station wagon. It’s the most forgettable-looking vehicle on the road, which makes it less cool than the rolling freakshow competitor known as the Honda Crosstour. It has a standard four-cylinder engine and front-wheel-drive. I can’t think of any way in which the Venza could suck it harder than it does right now. It’s the most cynical, depressing, worthless entry on the market.

Uncool, brother. But the DB9 and the Venza, eternal opposites on the cool scale, have one fairly uncool thing in common, don’t they?

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Did you see an instant classic at last week’s Detroit Auto Show?  Maybe that new Stingray. And hearing that the first C7 Vette was on the auction block to support the College for Creative Studies made me a little proud of my former school, too.  But, aside from the always nerve-racking bus ride between CCS and Cobo Hall, my “instant classic” moment from the (1999) NAIAS was the introduction of the MK IV Jetta.  All of a sudden I couldn’t keep my eyes off of Jettas, especially a silver one in the lower hall of Cobo. And time hasn’t changed my opinion…aside from making it more extreme. (Read More…)

Fellow TTAC scribe Alex Dykes put a somewhat innocent enough post on our Facebook Wall, suggesting the BMW 3-series has a reputation for homogenous design, while the new Cadillac ATS suffers from…well, what so many modern GM products suffer from: a new release that’s only “almost” there. The ATS gauge cluster was his proof.

This cluster spurred a commotion from our FB readers that merited a chat window popping up from the Esteemed Mr. Dykes, suggesting this is a good Vellum Venom. Agreed. (Read More…)

I apologize for torturing you, dear reader, with over-analysis of absolutely mundane machinery for far too long. I blame it on my style–or lack thereof–as a student at the College of Creative Studies.  So on Christmas Day, how about I let you in on another secret? No matter which bias (American, German, Japanese) got you into car design school, everyone loved Ferraris.  This predominantly male student body often equated a Ferrari’s universal gorgeousness with that of the female anatomy. Surprised?

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One thing that really burned me about design school: when a student applied their talent outside of their comfort zone, subsequently ruining a famous bodystyle, make or model.  Hey, I’m guilty of it too. VERY guilty. But a foolish, ignorant student at the College for Creative Studies is one thing, getting paid by the manufacturer of said brand is a whole ‘nother.  And while the original, JFK-Continental infused, Lincoln MKX wasn’t far removed from the Ford Edge from whence it came, the redesign takes what was once a solid reinterpretation of the Lincoln brand and well…completely screwed it up.

Again…ever since the Mitsubishi Diamante face of the Lincoln LS, that is.  Let’s get this over with.

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Sometimes promises are kept in the car design biz: the 2013 Civic sounds like a big step up from this 2012 model. Which was a big step down from the ’70s concept car chic of the 8th generation Civic. Aside from Wayne Cherry’s professional nightmare, how often does a manufacturer make such significant changes after one year of production?  This model insulted more than one autojourno and countless fanbois, apparently Honda doesn’t mess around when reputation and $$$ are on the line.  But just how bad was it in 2012? (Read More…)

A sports car. A luxury car. A truck. A car for third-world nations.  And yet CCS never gave me a project that said, “lower your standards and design a great rental car” for a week of studio work.   Does anyone design anything with unloved dispensability in mind? But I see it that way: leaving the design world to (eventually) to flash my MBA with an occasional corporate trip…with the obligatory rental car.  But how pretty is the Queen?

The fleet queen that is. (Read More…)

TTAC commentator halftruth writes/draws:

I got taking a look at the Chrysler 200 recently and while I want to like it, I cant get past the little droop on the bottom of the tail lights. I took a couple of stabs to see what they would look like flat and perhaps they are too VW-ish, but I like them better this way..

What do you think? I did them quickly in paint but I think you get the point…thanks! (Read More…)

Some designs are perfect in their initial run, others need a mid-cycle rethink to make ’em sing. The 4000 is the latter: cost effectively ushering a new era of modern and luxurious Industrial Design for Audi.  I loved the styling, but a classmate at CCS showed me the light: he was an SCCA racer with a similar CS Quattro in the dorm’s parking lot. And while CCS was a total bummer at times, we enjoyed the 4000 in the horrible winter weather around Metro Detroit. Especially at one of our favorite hangouts: Belle Isle.  At night. In a 4000 CS Quattro. Oh hell yes. (Read More…)

One of my Automotive Design teachers at CCS made us take a personality test to determine our strengths(?) as a designer.  It was beyond stupid, or so I thought. To wit, a (paraphrased) question: do you collect old things?  The answer was supposedly neutral: no matter what you answered on this query, your overall score didn’t change.

Which is a total crock. The history of design is so very important, especially for a powerhouse like Audi. Please! (Read More…)

The problem with the FR-S’ unrefined bumps, lumps and Trapezoid Homage to the 1977 Mercury Cougar now has a decent solution.  And what of this workaround?  It’s brutal. It’s borderline inexcusable.  But my goodness, it works…too bad I’m making you click to see it.  (Read More…)

Damn near everyone in the Industrial Design department at CCS said my engineering/gearhead/history buff background was killing my potential Car Design career. In hindsight they had a point, but most were complete jerks about it.  With three art history courses at three different colleges in mind, automotive brands/models/trim levels do indeed nod to something more than PR-hyped styling takeaways: perhaps a vintage automobile, a vague reference to a sub-culture not normally associated with a large corporation, or an entire genre of fine art. But the Scion FR-S isn’t retro… (Read More…)

At the Japanese launch of the Volkswagen Up!, VW’s design chief Walter de’ Silva told a group of assembled journalists that “overdesign”, his term for the recent spate of flamboyantly styled vehicles is now passe, and that the future belongs to clean, minimalist design.

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My first couple days at TTAC weren’t so much a baptismal by fire, but a surprise dunk in the ice bath by the Best & Brightest. My now-infamous post, where I dubbed the unseen-at-the-time  2013 Ford Fusion as a “gamechanger” based on my embargoed preview of the car in Dearborn, became a punchline for the first month of my tenure. But now I get to gloat. Sort of.

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Sometimes we work too hard for success.  We listen to others, constructive criticism or not, doing our best to make a change for the better.  But are we really accomplishing that?  I’ve always wondered if the ends justify the means. Not for me at CCS in Detroit: after trying to change myself to fit a certain mold and failing, I realized I’m totally okay with (most) everything I do. On or off the vellum.

I wonder if vehicles like the Infiniti JX are the byproduct of a design studio trying too hard to address criticisms.  Or maybe this is just a common case of “over-styling” a vehicle.  Either way, here we are.

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