Quick, want to guess what the single piece brings more traffic to TTAC than any other? Thanks to an early Korean-spec test (don’t worry, further tests of the US-spec model are forthcoming) and the blessings of good Google rankings, our 2011 Hyundai Sonata review has been our single biggest source of traffic over the last several months. But getting a review out early isn’t the only reason so many folks are finding their way to TTAC by way of the Sonata: people are researching the car like crazy. Kelly Blue Book lists the Sonata as its number four most-researched vehicle, as does Edmunds.com, indicating that it’s poised to play with the perennial chart-toppers from Honda and Toyota. Meanwhile, Kia still has yet to make the jump to mainstream prominence, although its version of the Sonata  (still unfortunately named Optima) could be an important step in Korea’s bid to make inroads on the US market. Certainly its Peter Schreyer-designed lines won’t have anyone confusing the Optima with a decontented Sonata.

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Mitsubishi’s ASX represents the brand’s move towards on-road crossovers, a move inspired by research showing that buyers of its Outlander big brother cross-shopped D-segment sedans rather than midsized SUV/CUVs. The C-segment ASX will be called the RVR in Japan and the Outlander Sport in the US market. And though the ASX’s front-end is allegedly inspired by the Mitsubishi Heavy Industry F2 fighter, it looks remarkably similar to BMW’s recently-launched C-segment crossover, the X1. Which kind of makes sense, considering the F2 is actually just a modified F-16. Imitation is the most commercially viable form of flattery.

Boxy cars are a divisive subject: bring up the Mk. 1 Scion xB, and people will either swoon with desire or faint with disgust. The Heuliez Mia looks to wade into the middle of this controversial segment, offering a huge amount of space in a weird, box-like form. With only a 80km-100km range at the starting price of €18,000, the Mia’s electric drivetrain will doubtless self-select out the anti-cubists, limiting its appeal to fans of the impractically practical. In dense urban centers, however, there will always be an audience for small-but-spacious people movers. But can the Heuliez compete with Asia’s proud tradition of automotive cubism?

Do you like the Fiat 500, but worry that it has too much room and not enough flamboyance? Luckily the nuts at Rinspeed agree with your quixotic tastes. Others might have a harder time “C-ing” the point of this concept.

If Peugeot’s “Five by Peugeot” concept is Jaguar-inspired, this SR-1 concept clearly takes its cues from Old Blighty’s other famous sportscar builder, Aston Martin. Have the Anglophiles taken over at Peugeot, or is this just a jab at Renault, which is required by the terms of its state-ownership stake to not produce cars that are inspired by the designs of non-French marques? Though we’d like to think of this as proof of the superiority of private ownership, chances are Peugeot’s designers just like Aston’s styling. God knows it’s hard to blame them.

The Audi A1 is huge in the sense that it is the main test case for the hypothesis that luxury brands can get folks to pay premium prices for a subcompact car not named MINI. And it had better work, because those European emissions standards are murder. Next up: Mercedes and BMW-branded FWD subcompacts, scheduled to hit the Auto Show tour over the next several years.

No, it’s not a concept, and yes, it is coming to the US this fall. The Versa-based Juke clearly hopes to banish the term “Aztek” [noun, referring to the ugliest crossover ever sold in the US] from the modern automotive lexicon. We’d Juke around some more about this tiny rolling affront to the laws of natural beauty, but frankly we can’t bring ourselves to. For one thing, where do you start, and for another, where would we stop? Expect thesaurus sales to jump considerably when the Juke hits the press-car circuit later this year.

Some cars just have to be seen in person to be properly fathomed. I think that’s what’s going on with the new Infiniti M. In any case, it’s hard to imagine that this model will be able to fly under the consumer radar with the stealth of its predecessor. Luckily Nissan will have the off-putting eco-pedal option to blame for a tepid consumer response. You know, in case the hints of Maserati about the design don’t translate into real life.

What happens when MINIs stop being mini and start getting real? Huge sales in America, probably. Luckily the return of the Moke is not as mawkish as we might have feared.  And with four actual doors, passengers won’t have to perform fakir-worthy contortions to reach one of the rear seats alá MINI Clubman. Look for the Countryman at your local upscale supermarket parking lot starting in early 2011.

Sometimes you feel like a BMW… and sometimes you don’t. Volvo has caught wind of this, and offers the 2011 S60 in hopes of adding the Bavarian-ambivalent market to its solid Swedophile base. What Volvo seems to have forgotten is that part of the BMW appeal is that the brand can be successfully marketed without resorting to worn-out terms like “naughty.” At least it could, once upon a time.

Does anyone have an iPad? Hyundai’s clean-up on aisle six Concept proves that all the sales momentum in the world can’t prevent the occasional tone-deaf design study. Or an unfortunately hilarious nomenclature. Given the recent improvements in Hyundai’s production car styling, the i-flow concept is something of a look back to the wild “emotion lines” of its late 90s design work. In short, not a step forward. Meanwhile, despite achieving true originality in its ugliness, the i-flow also manages to incorporate the same weird sedan-hatch-coupe packaging as the Opel Flextreme, Mercedes F800 Style, and Subaru Hybrid Tourer. Back to the drawing board!

When Jaguar’s new XJ hit the car show circuit, many found themselves remarking that the latest big cat bears more than a striking resemblance to the Citroen design language. No surprise then, that Citroen’s sister brand has built a concept version of a forthcoming midsized sedan that bears a number of similar styling cues. Thanks to Ian Callum’s adventurous experiment, the Five by Peugeot Concept can almost be compared to an XJ, which is more than can be said for any American-market midsize sedan. Perhaps we could still learn a thing or two from the French.

The Mazda5 has long been an under-considered little MPV, competing in a niche that only the aging Kia Rondo dare set foot in. Mazda’s solution to weak sales: overwrought, tacked-on styling flair. But let’s face it: until a major brand brings competition into the compact MPV segment (which will likely first occur when Ford brings its C-Max stateside), the Mazda5 will continue to wander the deserts of weak consideration.

It’s both annoying and strangely prophetic (we think) that Lancia and Chrysler don’t have one of those convenient “Brangelina” names, like Lancsler or Chrycia. Fiat’s execs aren’t exactly being subtle about the merging of the two brands, but then they’re also not giving us a lot of glimpses at the stunning execution that it will take to turn two marginal marques into a single, halfway viable brand. It’s almost as if the two are just being pushed together in a forced, unnatural manner, and the results thus far show a distinct lack of inspiration. Not convinced? Hit the jump for your morning glass of has it really come to this? [via unica-strada.com].

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