Not that many fashion models have worked in machine shops, but most people should know that loose clothing and rotating objects don’t mix, or rather they mix too well. The cape streaming off of her neck may make for a nice photo but it could easily have led to some seriously negative publicity had that cape been snagged by a spinner on those knockoff wheels. Dancer Isadora Duncan’s penchant for long flowing scarves led to her demise in 1927. Riding in a friend’s Bugatti, she was strangled when one of her signature boas got caught in a rear wheel. One would think that at least one person at BMW or their ad company would have known about Duncan’s fate when they started tossing around ideas for a photo shoot to promote their new concept, the 328 Hommage. Apparently that wasn’t the case.

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The auto media has been receiving its advance copies of Bob Lutz’s forthcoming book “Car Guys versus Bean Counters” over the last few weeks, and have been leaking some of the more provocative statements and conclusions from it. I too requested a book and tore through it over the past week, enjoying Lutz’s direct voice and keen insights into his time at General Motors… as well as the attention-grabbing, politically-charged statements that the rest of the media seems so fixated upon. The bad news is that I won’t be able to write a full review until we get closer to its mid-June launch date, but the good news is that our forbearance has been rewarded: despite sideswiping yours truly in one passage, a brief but rewarding email conversation has generated more mutual respect, and Mr Lutz has agreed (in principle) to a TTAC interview to accompany our review at the time of the book’s release. Sometimes observing an embargo is worth it.

But fear not: just because the promise of an interview with one of the most influential figures in the industry has us delaying our review for another month or so, we’ve got more Lutz-related material with which to build up to what I expect to be a watershed interview for TTAC. Next week I’ll be publishing a review of Mr Maximum’s previous book “Guts,” and to kick of the coming months of Lutzmania, we’ve got a very special contest that is sure to stump even TTAC’s most well-versed Best and Brightest.

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Elvis Presley famously bought (and gave away) Cadillacs, lots of them. One of the first cars he bought after his first success with Sun Records was a 1955 Caddy, which caught fire and burned up out while on tour. Around that same time he bought Sun owner Sam Phillips a Cadillac as well. He bought a 1955 Fleetwood 60 Special and had it custom painted pink for his mother, Gladys, but she never drove it. There’s even a web site devoted just to Elvis’ Cadillacs. though he had at least a couple of notable Lincolns including a ’55 Continental that Ford had customized by Hess & Eisenhardt, the same company that made presidential limos. That web site documents about 30 Cadillacs known to be owned by the King, along with at least a score of Caddys that he gifted to friends and associates. The Cadillac fit Elvis’ image. They were big, bold, brash and fast. That big white Cadillac hearse that the king of rock and roll took for his last ride seemed particularly fitting. All it was missing were rhinestones. That’s why it’s a bit surprising to find out that Elvis owned and drove a tiny three-wheeler Messerschmitt micro car, and he owned it right around the time he couldn’t help falling in love with the much bigger Cadillacs.

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Start the video, then pause. Click on the “3D” icon on the YouTube menu bar to select your choice of 3D formats or 2D. Video and original photos courtesy of Cars In Depth

We’ve all seen too many pictures and videos of the magnificent ruin that was once the Packard plant on Detroit’s east side. It turns out that there’s a Packard site in the Detroit area that’s not a ruin, the Packard Proving Grounds in Shelby Twp. about 15 miles north of Eight Mile Road. Like the Packard plant on East Grand Blvd, Albert Kahn designed all the original Packard buildings on the proving grounds site, including a tudorish looking lodge where the facility’s manager and his family lived. It may be the only place where Kahn designed both residential and industrial buildings. It was built in 1927 at a cost of over a million dollars. Packard used the facility to develop and test their cars, aviation engines (there was a small airfield inside the big oval track – Charles Lindbergh visited the site), and also for publicity and marketing. The proving grounds even had a role in the Arsenal of Democracy. Chrysler used the facility during WWII to test Sherman tanks, erecting a building used to service the tanks that were tested inside the paved oval.

Additional video after the jump.
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Back in 1976, the Italian automaker Fiat had been badly battered by a global energy crisis and the resulting malaise infecting the global auto industry. In what Time Magazine described at the time as “a devastatingly ironic example of petropower,” Col. Muammar Gaddafi instructed his Libyan Arab Foreign Bank to invest some $415m into the Italian automaker, giving it a stake that would eventually grow to some 14 percent of the firm’s equity.

By 1986, Fiat’s Libyan stakeholders were becoming more trouble than they were worth. In the wake of the Lockerbie bombings, the US introduced sanctions on Libya, and Fiat’s Libyan connection left its attempts to bid for US military contracts (particularly those related to Ronald Reagan’s Strategic Defense Initiative) dead on arrival. As a result, Fiat and its shareholders bought back the entire 14 percent Libyan stake in the firm, presenting the Libyan Arab Foreign Bank-controlled Banca UBAE with a $3.1b check. And, according to what a Fiat spokesperson told us yesterday, that is where the story ends. But thanks to the now-ubiquitous Wikileaks, we have found that this story may in fact go farther than that. In fact, as the evidence stands right now, either the US State Department is working with bad information (which major news sources have yet to correct), or Fiat is lying about its ties to the embattled Gaddafi regime.

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Nothing makes this bloggers day like finding a story that highlights how the world of cars interacts with every facet of our national life… and few stories illustrate the universal impact of cars and fuels like the Atlantic’s recent piece on one man’s attempt to turn Afghanistan’s opium poppy crop into biodiesel. The plan was to help Afghanistan’s poorest farmers use poppy seeds to create biodiesel, but along the way the plan ran into the challenges of diplomacy, bureaucracy, foreign occupation, environmental issues and cultural conflict. In fact, all of the complexity and struggle involved with the military occupation of a foreign country come out in this fascinating piece, which begins:

Back in the fall of 2008, Michael Bester and a business partner, both Army veterans doing contract work in Afghanistan, hit on the equivalent of the counterinsurgency’s trifecta: a way to improve the lives of ordinary Afghans, eliminate the illegal opium trade, and take the Taliban’s money. “We had been in villages where children were dying because they didn’t have proper medicine, because they didn’t have refrigerators,” Bester told me. Light up the villages, and perhaps you could empower Afghans to resist the Taliban. And the fuel? Most any feedstock would work, but one compelling option was the ubiquitous poppies that stoke the Taliban’s lucrative drug trade. Why not turn them into biodiesel instead?

Make diesel, not drugs! Read the whole thing here.

[Ed: With today’s news of NHTSA’s investigation results, we thought we’d look back at TTAC’s coverage of the Toyota Unintended Acceleration scandal.]

The Toyota Unintended Acceleration Scandal of 2010 was a curious beastie of a media phenomenon. Shortly after I started writing for TTAC, NHTSA opened an investigation into Toyota Tacomas because, as the Center for Auto Safety’s Clarence Ditlow put it,

If there were truly human error, there would be a proportional distribution across models. It’s very difficult to explain how some makes and models have higher numbers of complaints than others absent some flaw in the vehicle.

Fresh as I was to writing about the world of cars, I was sure I had the story dead to rights. I had seen this movie before, when my father told me his epic Parnelli Jones Unintended Acceleration story. Dad had even killed the the family pickup’s engine at a traffic light to prove it… and I knew how bad the brakes in the old Ford were (but that’s another story). Absent a better explanation than mere statistical likelihood, I knew there was only one cause for this problem. With a level of confidence that seems totally at odds with subsequent events, I concluded by suggesting that

the Detroit Free Press and Motor Trend blog, are trying to resuscitate the [Audi 5000] media frenzy, only this time Toyota’s to blame for people mistaking the accelerator for their brake pedal… If a TTAC reader out there has a Tacoma, perhaps they would do us the honor of standing on the brakes while mashing the accelerator for a few seconds. This should prove fairly simply that “unintended acceleration” is possible only when you are not actually on the brakes.

It was that simple… wasn’t it?

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Unfortunately, the question isn’t “what car belongs in the Smithsonian?” We could probably spend most of the holiday season discussing that one. No, the National Museum of American History has only 73 of the finest cars to choose from, and has nominated only eight to be displayed. You see, this isn’t one of those hypothetical deals… the NMAH actually wants you to vote on which car you think is most deserving of the honor, and the top-two vote-getters will be displayed from January 22- February 21. And your nominees are…

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Here’s a question that may well be impossible to answer, due to the numerous gray areas involved. Sure, we could set all kinds of limitations (e.g., “production run” applies only to engines built by the original manufacturer) and of course you stumble into the quagmire of defining when changes to an engine design become significant enough to result in a different engine… but why should we do that? (Read More…)

Bill Mitchell, only the second man to head General Motors styling when he took over from the monumental Harley Earl, was not a man about whom people were impartial. GM’s official history reveres him. Harley Earl’s family reviles him. His coworkers and subordinates at GM either loved him or despised the man. Even landmark designs that were signatures of his reign at GM Styling, the split-window 1963 Corvette Sting Ray and the boat tail Rivieras, are polarizing designs that had detractors, including some on the GM Styling staff. He admittedly ran that department like a dictator, though he rarely fired anyone. Mercurial in temper, he’d have screaming fits at his design staff, laced with the most vulgar epithets, then defuse the tension with an offhand joke as he left the room. Shamelessly ambitious and self-promoting, often taking personal credit for his staffs’ designs, had the term “larger than life” not existed, Mitchell would have coined it to describe himself.

By today’s standards of workplace political correctness, diversity and racial and sexual harassment law, Bill Mitchell was an atavistic throwback to an age when ethnic jokes by supervisors were uncomfortably endured by the brunt of that ‘humor’. An executive then could tell his secretary to order him up some hookers after a multiple martini lunch, knowing that she’d hold all calls and cover for him if his wife (or another executive) got jealous. As a result, in addition to whatever praise and criticism his aesthetic direction and management skills have garnered, Bill Mitchell’s legacy has been somewhat tarred with the brush of bigotry.

The question is are we being fair to the man? Are we applying contemporary standards to an era that was simultaneously more innocent and more evil in terms of racial, ethnic and other prejudice?

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Initial stock offerings, bankruptcies, brands being shuttered, established manufacturers being taken over by other concerns, financial crises – a time of turmoil in the auto industry. The time I’m describing is not just the present, it could well describe just about any period in automotive history. With the possible exception of the 1960s, when the Big 3 consolidated market share gained after the independent automakers were reduced to American Motors, there really never has been a long period of stability in the domestic auto industry. Even in the 1960s, Chrysler Corp. stumbled badly.

About a month ago Wayne State University Press, one of the leading publishers of automotive history books, sent me a box full of their recent titles, most of which concern the earliest days of the American auto industry: David Buick’s Marvelous Motor Car by Lawrence Gustin, Maxwell Motor and the Making of the Chrysler Corporation by Anthony J. Yanik, The Dodge Brothers: The Men, the Motor Cars, and the Legacy by Charles K. Hyde, and Hyde’s latest book, Storied Independent Automakers: Nash, Hudson, and American Motors.

While reading up on early American automotive history and I couldn’t help being struck by a sense of the more things change, the more they stay the same.

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Occasionally, when talking to other car folks, I’ll hear, “well, you live in Detroit”. It can mean different things. Sometimes it’s an accusation of jingoist bias in favor of the domestic automakers. I plead guilty in not wanting to see lots of my neighbors and customers unemployed. Other times, it’s more wistful, more envious. For a car guy, Detroit can be Mecca and nirvana on Christmas morning with a cherry on top. I don’t have to fly in for press events at the Big 3 and because there are so many automotive writers around here, even the foreign brand press fleet is stocked pretty nicely.

Though not as common as they once were, you can still take a factory tour at Ford’s [not quite so] giant [anymore] Rouge complex, and while you’re in Dearborn it’s definitely worth your while to visit the Henry Ford Museum. Just one note, you won’t find it listed under that name. A few years ago, for some insane marketing reason, the Henry Ford Museum & Greenfield Village decided to rebrand itself, choosing “The Henry Ford”. I suppose that goes over big with museum curators – I’m sure that everyone in Manhattan knows what the Guggenheim is, but in a region that has hospitals and schools named after Henry Ford (I & II), dropping Museum from the eponymous Henry Ford, is just confusing and a little too precious.

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No, Virginia, that’s not a turbo Eldo, that’s a turbine Eldo

Paul Niedermeyer’s article and more recent book review concerning Chysler’s Turbine car show that Chrysler was savvy to use it as a halo vehicle – its appeal continues to resonate today. Though we’re learning new details all the time, most car enthusiasts know that Chrysler made a turbine powered car in the 1960s. Less well known is the fact that General Motors also had their own turbine program. While Chrysler’s Turbine Car was mostly a short lived PR effort, it happens that GM had a much longer lasting automotive turbine development program, starting in the 1950s and lasting for at least 40 years, without ever coming anywhere near to production. TTAC commenter jmo, alerted us to the existence of a powdered coal fired turbine powered Eldorado that GM developed after the oil crises of the 1970s, and we were hooked.

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There’s an old Russian saying, “success has many fathers while failure is an orphan”. The automotive world has plenty of examples of that. Perhaps a half dozen Italian designers have taken credit for the Lamborghini Miura. Zora-Arkus Duntov is often called the “father” of the Corvette, even though it was seeing the already in production Corvette on display at the 1953 Autorama in New York City that inspired Duntov to write Ed Cole asking for a job as an engineer at Chevy in the first place.

Another case of mistaken automotive paternity is the Mustang. If you asked 100 auto enthusiasts the question, “who originated the idea of the Ford Mustang?”, most would say Lee Iacocca. After all, he made the cover of Time magazine when the original 64 1/2 was such a hit. When you type in Iacocca, Google autosuggests “iacocca mustang”. He’s even sold Iacocca signature editions of the ‘Stang. Sometimes Ford product manager Donald Frey, who passed away earlier this year, is given the credit for the Mustang’s concept. While Frey was a staunch advocate for the sporty four-seater, selling the idea to Iacocca and shepherding it past resistance from Henry Ford II, it turns out that he wasn’t the originator of the idea. In fact, as Robert Cumberford explains, the idea didn’t even start at Ford, or even a car company, it was the idea of ad man Barney Clark, and he pitched it first to General Motors, not Ford.

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Part One of this piece can be found here.

Were it not for an act of God, the fecklessness of General Motors’ executives and the difference between a self-promoting Texan and a Californian willing to walk away from it all, the many Cobras you see, real and ersatz, would be joined by another predator, Bill Thomas’ Cheetah.

Developed with backdoor assistance from Chevrolet, the Cheetah was the Chevy powered answer to the “Powered by Ford” Cobra. A racing Cheetah was given one of the first Gen IV big block 396 Chevy “rat” motors made. Based around Corvette drivetrain and suspension components, and a not very robust tube frame, the Cheetah was covered in a body that is unforgettable.

Though the Cheetah only competed in a small number of SCCA races, winning 11 events while simultaneously developing a reputation for extreme speed but treacherous handling (caused by the flimsy chassis), its drop dead gorgeous body styling made it instantly memorable. The fact that the Cheetah came out in the mid 1960s, when scale models and slot car racing were hugely popular with teen baby boomers, didn’t hurt the car’s popularity.

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