Three and a half years ago, I found myself blitzing down Wilshire Boulevard behind the wheel of what was then the only Rolls-Royce Wraith in the country. There was much to admire about the car: the saturnine (as in Saturn V, not the dour deity) thrust of the blown V-12, the transcendent sound system, the Starlight Headliner that makes every late-night date a romantic one. Truth be told, I expected all of that. What I did not expect was to be utterly smitten by the Wraith’s two-tone paintjob.

What was the last mass-market passenger car to be sold in the United States with an optional two-color finish? Don’t tell me that it was the ’90s Explorer Eddie Bauer, because I don’t want to think about that despicable slug of a trucklet. Perhaps it was the ’80s Town Car? The bustleback Seville? And could two-tone paint jobs ever make a comeback? I think they might, and I’ll tell you why.

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